blue is the warmest color review

For his latest film, Abdellatif Kechiche returns to themes of love and maturation with Blue Is the Warmest Colour (La Vie d’Adele, Chapters 1&2), based on the graphic novel by Julie Maroh. While this epic didn’t blow me away as Weekend did, it certainly was a fascinating, intelligent work that justifies its 3-hour length on an intellectual level, even if not an emotional one. They are committed to their roles to a degree that could be called exuberant. But I think that the impact of the movie increases with a second viewing, and my own objections about the lovers' ferocious "confrontation" scene have been answered. The are multiple explicit love scenes between two women with graphic nudity. Blue Is the Warmest Color 2013 ★★★★½ Rewatched Nov 06 , 2016 LauraBirnbaum’s review published on Letterboxd: Adèle, played by Exarchopoulos, is the sympathetic centre of the story, a schoolgirl at the beginning and a teacher by the end: the two chapters of innocence and experience. Blue Is the Warmest Color is an alright work that has, at its center, an interesting examination of a common story. FILM REVIEW 'Blue is the Warmest Color' 3 ½ stars (out of 4) Cast: Adele Exarchopoulos, Lea Seydoux, Sandor Funtek, Salim Kechiouche. Director: Abdellatif Kechiche. First loves are always the same and always different. Author: Paige Cohen October 24, 2013. I highly recommend it to all readers especially teenagers on up. The two women meet when Adéle is about to finish high school, and Emma has started college. This isn't young love or first love, it is love: as cataclysmic and destructive and sensual and unforgettable as the real thing must always be. A handsome male classmate falls for her, but an … He frequently frames Exarchopoulos in particular so as to accentuate the post-adolescent ripeness of her beauty. “Blue Is the Warmest Color,” which has now opened in the United States, is a sexual coming-of-age story about a French provincial voluptuary, Adèle (Ms. Exarchopoulos). And when Emma's art career takes off, Kechiche shows how she is starting inexorably to outgrow Adèle, and yet it is Adèle who develops a kind of emotional maturity that Emma, the increasingly smug careerist, can't match. Review: Blue Is the Warmest Color By Kristin M. Jones in the November-December 2013 Issue There is a vivid party scene at the middle of Abdellatif Kechiche’s sprawling Palme d’Or winner Blue Is the Warmest Color (aka, in France, La Vie d’Adèle: Chapitres 1 et 2 ) that encapsulates some of … Blue Is the Warmest Colour really is an outstanding film and the performances from Exarchopoulos and Séydoux make other people's acting look very weak. As for Kechiche, his feelings about that last-minute requirement to share the Palme with his two actors can only be guessed at – and the same goes for their feelings about his feelings. “Blue Is the Warmest Color,” Abdellatif Kechiche’s long, sprawling, boldly immersive coming-of-age drama, works just this sort of magic. Film. The cockeyed open-heartedness of Kechiche's conception yields a girl-meets-girl-and-so-on story of three hours. In the aftermath of viewing, this strikes one as odd. Maymay A Super Reviewer Blue is the Color of My True Love’s Hair: Kechiche Takes Us Deep Sea, Baby. He has written for a host of other publications and resides in Brooklyn. Blue is the Warmest Color centers on a 15-year-old girl named Adèle (Adèle Exarchopoulos) who is climbing to adulthood and dreams of experiencing her first love. The notion that they can each go on to find a better or richer experience is illusory. A good-looking boy who likes her is rewarded with a brief relationship, but he is merely John the Baptist to the imminent Christ: Emma, played by Séydoux, a twentysomething art student. Run time: 179 minutes. At TIFF 2013, Matt reviews Abdellatif Kechiche's Blue Is the Warmest Color starring Adele Exarchopoulos. Blue is the Warmest Color is a masterpiece of human warmth, empathy and generosity, because in a mere three hours, it gives you a whole new life to have lived. This long romance is affecting in spite of Abdellatif Kechiche’s direction, not because of it, and that’s never more apparent than during its much-discussed explicit sex scene. It is no more authentic or inauthentic than any sex scene, or washing-up scene, or checking-in-at-the-airport scene. It is fictional. Read his answers to our Movie Love Questionnaire here. The Palme d'Or at this year's Cannes film festival went to the epic and erotic love story Blue Is the Warmest Colour. The movie's final sequence is heart-stoppingly ambiguous. In detailing the relationship between blue-collar Adèle (Adèle Exarchopoulos), 15, and Emma (Léa Seydoux), an older, sophisticated art student, Blue Is the Warmest Color … Emma is always the senior, dominant partner: better educated, more worldly and higher up the social scale. So much so that one isn't much bothered by the material that Kechiche elides in his long film. As the two lovers go, inevitably, out of the state of white-hot attraction and voraciousness and into a domesticity that presents the typical, and typically ugly, problems that an acolyte/ingénue arrangement presents, Adèle seems to grow up before the viewer's eyes in a way that makes Emma's self-possessed confidence look kind of complacent. Cannes Film Review: ‘Blue Is the Warmest Color’ A searingly intimate character study marked by the most explosively graphic lesbian sex scenes in recent memory. As with other entries in the actor turned director’s filmography, his latest masterpiece sports a lofty running time, at nearly three hours … Feeling no spark with him, or any other guys, she fixates on a blue-haired older girl she sees on the streets of her provincial French town. The most explicit scene lasts nearly 7 minutes. Yes, Kechiche is a male depicting lesbian love; and yes, he's a heterosexual male depicting lesbian love enacted between two very attractive actresses. A handsome male classmate falls for her, but an unsettling erotic reverie upsets the romance before it begins. Though Blue is the Warmest Color, winner of the Palme d'Or at the 2013 Cannes Film Festival, contains graphic depictions of sex, it is not a voyeuristic exercise but a complex, deeply intense film that elevates one young woman's personal struggle into a drama of universal relevance. And it isn't as if Kechiche is Max Hardcore, for heaven's sake. It was powerful and gripping in its honesty and fearlessness. You may have heard lots of things about this film, but the most important thing to know is that "Blue Is the Warmest Color" is a masterpiece, the first … The love story “Blue Is the Warmest Color” was written, produced and directed by Abdellatif Kechiche. Its multi-chambered heart is certainly in one or two of the right places, let's say. But suggestions that he got a little carried away here are not totally nuts. ‘Blue is the Warmest Color’ by Julie Maroh. [ This is a re-post of my review … Online reviewers have written 995 reviews, giving Blue Is the Warmest Color (2013) an average rating of 79%. The breakout 2013 film Blue is the Warmest Color has been lauded as one of the most passionate, devastating love stories in recent memory. Blue Is the Warmest Colour is the only mainstream film so far to treat a lesbian affair on equal terms with a heterosexual one. Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. Servant Returns to Clean Up the Chaos of Season One, START TV Continues My Start Story Campaign Amidst Pandemic. It was released too late in French theaters to be eligible for a 2014 foreign-language Oscar. Watching Blue is the Warmest Color provides viewers with that rarest of motion picture opportunities: the ability to lose oneself in the life of another for three hours and to emerge having felt something. In detailing the relationship between blue-collar Adèle (Adèle Exarchopoulos), 15, and Emma (Léa Seydoux), an older, sophisticated art student, Blue Is the Warmest Color … Then there's the ostensible "male gaze" issue. Director Abdellatif Kechiche gets amazing performances out of two young actresses and gives the viewer a lot to think about. 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